instragram – Paint a Mental Picture

Social media can be great, but it can also be toxic. Pointing out the obvious, I know. But I have a specific reason for that. As an artist, I know how easy it is to get sucked into the world of follow for follow and what not. This is my second post on this topic, because really it just makes me sad to see people burn themselves out chasing likes, follows and fame.

The truth is, there’s a sad reality around being an artist on social media. And it’s this; for every artist who gets recognition, there’s hundreds who give up on their craft, or their aspirations to be a good or great artist, because they think no one is paying attention to their work. They think, “if no one likes my work, this means I’m no good,” or the like. This is not the case. I’m going to be blunt here, I’ve seen many great, skilled artists with very few followers on Instagram, while those with limited skill have thousands. I myself have under 300, and this used to bother me.

And then, the other day, I saw on Facebook someone griping about not being able to get above 750 followers, because people followed and unfollowed days later, and so posted her link on a few art pages for people to follow. This was responded to with the dreaded ‘follow for follow’ requests.

Now, I think what her problem was was that each person who unfollowed was formally expecting a follow in return, and so stubbornly clicked that button in protest. So many artists want something in return for their simple click of a button, and that is how it has become such a powerful action, the difference, for some, between having a day confident of one’s skill, or thinking you’re a failure because not enough people liked your latest post.

But I’ve being thinking about this during this pandemic. Afterall, if anything it has been a time for reflection, where social media has become such a prized tool for networking, what with an opportunity for small businesses to potentially thrive in the face of mass store closures. Drawing may be your income, but for those of us who just like to create, where do you draw the line?

This is how I see it;

1. Being an artist is often about reciprocation ; you’ll get a follow or a like because people like your work. Sometimes, however, it’s because they want your likes and follows in return.

2. If you draw for likes, you’re not creating for good reasons ; drawing is such a sharable, useful skill. But what is the point in doing something that ought to be relaxing, inspiring or just something that is meant to bring you joy, if you’re going to get stressed and miserable over it instead?

3. Stick to what you’re good at ; some people can pluck an idea out of their head, and put it to paper. Others can replicate a face directly with pencils. But if you have a niche, no matter how obscure it is, that will bring you much more happiness than attempting a shareable fan art piece of the latest movie character you probably don’t care about.

4. Think about turning art into your income; really think about it. Drawing day in and night out might sound like a tremendous gift, but do you really want to turn something you love into a chore? I remember when I was fourteen, having started my GCSEs at school, and I chose media instead of art. I was told this was stupid numerous times because, for me, they thought art would be an easy win. Even one of my teachers told me I wasted a GCSE. But I also love film, and thats why I chose media studies. It wasn’t wasting a qualification in anyway, and if anything, I feel I love my skill more because I have a choice in it. But customers, in short, can be crabby. Most are delightful, don’t get me wrong, but you also get the ones who don’t understand that a drawing is an interpretation, not a print out. Drawing is a honed skill with a person’s hand doing it, not a soulless computer. It takes time, resources and confidence to put yourself out there, and confidence can shatter just like that.

I’m not trying to put anyone off. In fact, I’m trying to be that pragmatic person who wants artists to keep loving what they do. If you don’t get so many likes as you thought you would, that’s okay. Van Gogh was questioned, doubted and insulted for his percieved lack of skill, and today is arguably the most celebrated artist of his generation. There’s so many of us now, and so much talent out there. Talent shouldn’t be wasted on shallow things such as likes.

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Reasons to Create – Besides Views and Likes

24th Nov 2020 maymargaret

When it comes to being an artist, I’m not a fan of social media. If you read my views concerning Instagram and using it to get follows and likes, you probably gathered this already. But, in a climate of so many creaters, its probably crossed your mind once or twice to just down tools, and find something else to do. Or, maybe you’ve been tempted to sacrifice what makes your work unique for something more uniform, more sharable. More potentially viral.

This has happened to too many. Sometimes, a born artist just isn’t a born advertiser of their own work. Maybe modesty gets in the way, or the paranoia that many will say you think you’re better than you are puts you off. For me, self promotion is just a nightmare, and I can’t do it. I can’t be one of those people who sends out their own work to the personal accounts of potential audience members. I tried it once to see how it went, and I just felt like a double glazing sales person.

On the flip side, I also question why being an artist means, to other people, that you should get your art out there. Now, hear me out. I know what you’re thinking, what is the point? What is the point in creating artwork if you’re the only person who sees it, or at most, the friends and family who follow you on your Facebook page?

The thing is, self promotion can be exhausting. I’ve said it before, I think some artists *ahem content farms ahem* but more effort into social media and making sharable content than actually putting effort and passion into their work. Its disheartening to say the least, but you shouldn’t stop.

So why should you keep creating, even if you don’t want to advertise?

1. Its nice to have a talent – I love creating. Its something I’ve always done, and it’s one source of self pride I have when I feel a bit rubbish. Whether it’s painting, sketching or pottery, I’ve always found myself feeling much better after doing something; as long as you like it and feel proud, what else matters?

2. An outlet – creating can relieve stress. Whether its a mindful exercise or just something to take your mind away from something causing you anxiety, having that time away to just make something with your own skill can be highly cathartic.

3. It doesn’t mean you can’t make money – over the last few months I’ve had a few commissions; birds, family portraits, and pet portraits. Sometimes, family can be very useful for singing your praises, and soon the requests start rolling in.

4. Its not how it used to be – one of the most widely used anecdotes artists use to console their lack of sales is that Van Gogh sold one painting in his lifetime, to a man called Julien Tanguey. But we are not in Van Gogh’s lifetime, and now, so many styles and methods are accepted that if Van Gogh were of today’s generation, his success may have been different. Who knows. Its mere speculation. But, again, there’s just so many artists battling for follows, recognition, views… who knows whether Van Gogh’s work would have been so unique and distinctive in today’s climate?

5. It might happen one day, so keep going – as arduous as it might be, if you’re that sure you want to get recognition, then just keep going. Stick to your principles and style, don’t be afraid to try new things if that’s what you want to do. Work up your portfolio, and stay true to yourself. Utilise your imagination. Sometimes, all it takes is one person to stumble across you.

6. You can still inspire – a couple of months ago, I went to London in something I can only describe as escaping. I just felt generally rubbish, and needed a change of scenery, people, all that. One day, I was walking around a very quiet National Gallery, and got a ping through Facebook. Someone had spotted the below painting on a page, and she was asking permission to try and recreate it. It was a lovely moment, and I was more than happy to give permission.

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So what if you’re not a career type?

16th Nov 202017th Nov 2020 maymargaret

I’ve had a few jobs in my time. Not as many as some, but maybe more than others. That makes me sound like I can’t hold down a post, but I spent 5 years at my first company while I studied for my degree part time. It was clerical, mundane, and same old. And I wouldn’t change that for the world.

There’s a comfort in repetitive jobs. Whether yours may be desk post like mine, or production operative (I’ve done a bit of that, too) or call centre job, we’ve probably all had a moment (or moments) where we’ve doubted the importance of our role in the wider scheme of things. Scrolling through Instagram doesn’t help, watching your friends, or strangers for that matter, apparently ‘doing life’ better than you. All these phrases and buzz words start emerging for what we see; living their best life, winning at life, life goals. Career types who travel for work and wear sharp, flattering outfits. Al fresco breakfasts on the patio of the villa they’re staying in for the week to get away from the hustle.

It can make one feel quite inadequate, can’t it? But the grass isn’t always greener, as they say.

As I’ve said, I work a desk job. Its dull, and for now, a bit dead end. But I can listen to books on Audible, and go for a job in my lunch break. I can work at home, and I count it as a blessing that my work has gone otherwise uninterrupted during the pandemic.

I’ve known some of these career types, however, personally. It isn’t always pretty, and there’s a lot of sacrifices. My fiance was a teacher for about a year, and goodness, he hated it. The good intention was there, and I’m sure he was a good teacher, too. But that was only a small part of a job that demanded too much evening time, too much weekend time, and holidays that could only be taken at certain times of the year. He made himself ill for a long time, and finally he quit to work for my old company. Someone else I know has no hobbies, and has never travelled out of the country (we live in the UK) because he just doesn’t see the point. That’s okay, but the career he has placed so much importance on is actually going nowhere.

Now, I am only speaking from my point of view. There are many people out there with careers and lives they enjoy, and have found that balance. But I reckon there’s more of us who have had those doubts late at night, knowing we have the potential. Sometimes, knowing we have potential is good enough. But sometimes, it makes it worse. It makes it feel like we’re wasting a gift.

But I think, from my experience, careers aren’t worth it. Last year, I had the opportunity to work in a counselling setting. I’m a qualified counsellor, and I’d be getting the chance to interact with patients. I was also assured in the meeting that in time, I might be referred to train as a counsellor myself.

But I hated it. I dont know what it was, but I hated it. I missed the safety of mundane, repetitive, no stress. I felt guilty, because I’d looked forward to this job so much. But then, I learned that maybe educational endeavours and professional don’t always mix. I learned that sometimes, your aspirations might not always be what you want to do, but what you want to want to do. What you think you should want to do.

So now I’m content with my desk job. I’m well travelled, studying for my masters, with a load of hobbies and I’m writing stories. And I dont think i’d be that person if I was a career type.

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Being an Artist on Instagram – Is it Toxic?

15th Nov 202015th Nov 2020 maymargaret

I’ve been drawing, painting, sketching literally since I was a kid. When I was 5, I drew a dinosaur from a book, and I was so proud of it I glued it to my dad’s birthday card. That was all I needed. As long as I was proud of what I’d done, that was enough.

However, today is a different day. Art is something wider, further reaching, than it used to be. Today, we often judge our talent by the number of likes we get on a post on Instagram. We judge our capabilities on the number of followers we have.

But more doesn’t always mean better.

Now, don’t get me wrong. There’s some wonderful, talented artists out there, and their work speaks for itself.

And then there’s Follow for Follow.

So a few weeks ago I decided I wanted to get my work out there a bit more. More often that not, I’m content with creating at my own pace, when the moment strikes.

But sometimes, I wonder what the point of creating is if no one’s seeing what I’m creating. Essentially, its an argument at the root of most, if not every creator since creating began. To be seen, to be approved… to make money.

And this was how I learned about follow chains (probably the term, but self explanatory). Basically, you added yourself to a list and sent it to a number of people, who were meant to do the same in some context. Or, you’d post your account link to Facebook groups and promise to follow back. I found out that many people probably put more effort in this part than the actual creating.

Now, it did work a bit. But it didn’t feel good. I knew that these people weren’t looking at my work, which was what I wanted. That’s all we all want, really. But numbers talk.

I want to say that I’m not judging these people. The Internet is so full of creations that we have to come up with ways just to be seen. But what I dont like is the sense of failure that comes with it, and the disappointment of not being seen more.

I had to take a social media break after that stint. It was disheartening, seeing so many sacrifice their creativity, their originality, for something sharable. Something that was going to be approved of, understood instantly, something in the hope of getting likes and followers. Art, to me anyway, should be a projection of oneself. Or, it should be something we are ultimately proud of by ourselves. Regardless of social media performance. If we haven’t got pride in ourselves, what is it worth?